105 bars of 4/4 at 110 BPM, about 3:49 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-34, 63-68 and 71-72, and 2 more places -- 26.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 8 times: bars 25, 26, 36, 44, 52, 62 and 2 more.
2 more fills are written out on the fills page.
105 bars across 8 sections: 42 keep time, 8 are fills, 41 are stops and 8 are silent. The longest unbroken stretch of time is bars 64-72.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
105 bars, about 3:49 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 25, 26, 36, 44, 52, 62 and 2 more.