87 bars of 4/4 at a walking 91 BPM, 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 21, 23-26 and 44, and 5 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 35 times: bars 8, 9, 10, 11, 12, 14 and 29 more.
8 more fills are written out on the fills page.
87 bars across 14 sections: 29 keep time, 35 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 68-71.
91 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
87 bars, about 3:49 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 35 times: bars 8, 9, 10, 11, 12, 14 and 29 more.