185 bars of 3/4 -- not four -- at 128 BPM, 4:39 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-28, 30-32 and 34-36, and 7 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 29 times: bars 17, 25, 29, 33, 37, 41 and 23 more.
5 more fills are written out on the fills page.
185 bars across 15 sections: 109 keep time, 29 are fills, 24 are stops and 9 are silent. The longest unbroken stretch of time is bars 139-151.
128 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
185 bars, about 4:39 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 29 times: bars 17, 25, 29, 33, 37, 41 and 23 more.