101 bars of 4/4 at a walking 95 BPM, 4:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-20, 23-24 and 27-28, and 5 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 1, 17, 33, 49, 65, 69 and 6 more.
2 more fills are written out on the fills page.
101 bars across 6 sections: 70 keep time, 12 are fills and 12 are stops. The longest unbroken stretch of time is bars 2-16.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
101 bars, about 4:15 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 1, 17, 33, 49, 65, 69 and 6 more.