114 bars of 4/4 at 117 BPM, about 3:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 37-39, and 7 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 7 times: bars 12, 36, 60, 70, 72, 76 and 1 more.
1 more fill is written out on the fills page.
114 bars across 10 sections: 72 keep time, 7 are fills, 1 is a stop and 24 are silent. The longest unbroken stretch of time is bars 99-114.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
114 bars, about 3:54 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 12, 36, 60, 70, 72, 76 and 1 more.