81 bars of 4/4 at a walking 96 BPM, 3:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 7-10, 15 and 17, and 8 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 23 times: bars 16, 20, 24, 26, 27, 32 and 17 more.
4 more fills are written out on the fills page.
81 bars across 11 sections: 41 keep time, 23 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 48-59.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
81 bars, about 3:23 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 23 times: bars 16, 20, 24, 26, 27, 32 and 17 more.