173 bars of 4/4 at 125 BPM, about 5:32 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41, 44-45 and 48-49, and 17 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 19 times: bars 42, 46, 50, 52, 94, 102 and 13 more.
7 more fills are written out on the fills page.
173 bars across 21 sections: 116 keep time, 19 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 18-32.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
173 bars, about 5:32 at the written tempo. The course breaks it into 64 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 42, 46, 50, 52, 94, 102 and 13 more.