167 bars of 4/4 at a walking 98 BPM, 6:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 11-19, 21-23 and 25, and 7 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 19 times: bars 8, 72, 80, 88, 92, 94 and 13 more.
7 more fills are written out on the fills page.
167 bars across 14 sections: 125 keep time, 19 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 12-52.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
167 bars, about 6:49 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 8, 72, 80, 88, 92, 94 and 13 more.