91 bars of 4/4 at 118 BPM, about 3:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-5, 23-25 and 27-29, and 8 more places -- 34.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 16 times: bars 6, 22, 26, 30, 33, 42 and 10 more.
4 more fills are written out on the fills page.
91 bars across 9 sections: 49 keep time, 16 are fills, 19 are stops and 1 is silent. The longest unbroken stretch of time is bars 7-21.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
91 bars, about 3:05 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 6, 22, 26, 30, 33, 42 and 10 more.