124 bars of 4/4 at 143 BPM, about 3:28 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-8, 34 and 37, and 6 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 12 times: bars 38, 66, 74, 91, 92, 93 and 6 more.
2 more fills are written out on the fills page.
124 bars across 13 sections: 66 keep time, 12 are fills, 28 are stops and 4 are silent. The longest unbroken stretch of time is bars 48-58.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
124 bars, about 3:28 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 38, 66, 74, 91, 92, 93 and 6 more.