103 bars of 4/4 at a walking 82 BPM, 5:01 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-2, 4 and 6-8, and 14 more places -- 27.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 3 times: bars 17, 49 and 77.
103 bars across 7 sections: 89 keep time and 4 are fills. The longest unbroken stretch of time is bars 22-46.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
103 bars, about 5:01 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 17, 49 and 77.