95 bars of 4/4 at 150 BPM, about 2:32 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-18, 33-34 and 41-42, and 5 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 22 times: bars 16, 19, 20, 31, 32, 35 and 16 more.
5 more fills are written out on the fills page.
95 bars across 10 sections: 56 keep time, 22 are fills and 3 are stops. The longest unbroken stretch of time is bars 65-74.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
95 bars, about 2:32 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 22 times: bars 16, 19, 20, 31, 32, 35 and 16 more.