139 bars of 4/4 at 140 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-9, 30 and 55, and 8 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 14 times: bars 13, 33, 53, 54, 70, 72 and 8 more.
6 more fills are written out on the fills page.
139 bars across 15 sections: 90 keep time, 14 are fills, 19 are stops and 7 are silent. The longest unbroken stretch of time is bars 97-114.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
139 bars, about 3:58 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 14 times: bars 13, 33, 53, 54, 70, 72 and 8 more.