125 bars of 4/4 at 128 BPM, about 3:54 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-18 and 87-93 -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 11 times: bars 26, 30, 34, 42, 49, 66 and 5 more.
5 more fills are written out on the fills page.
125 bars across 16 sections: 95 keep time, 11 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 3-18.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
125 bars, about 3:54 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 26, 30, 34, 42, 49, 66 and 5 more.