120 bars of 3/4 -- not four -- at 95 BPM, 3:59 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31-32, 50 and 52-54, and 8 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 35 times: bars 10, 11, 12, 13, 14, 15 and 29 more.
10 more fills are written out on the fills page.
120 bars across 13 sections: 64 keep time, 35 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 2-9.
95 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
120 bars, about 3:59 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 35 times: bars 10, 11, 12, 13, 14, 15 and 29 more.