190 bars at 176 BPM -- fast, and 4:19 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 8, 16 and 34, and 34 more places -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 30 times: bars 5, 9, 13, 17, 33, 41 and 24 more.
7 more fills are written out on the fills page.
190 bars across 18 sections: 87 keep time, 30 are fills, 40 are stops and 14 are silent. The longest unbroken stretch of time is bars 18-29.
176 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
190 bars, about 4:19 at the written tempo. The course breaks it into 50 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 30 times: bars 5, 9, 13, 17, 33, 41 and 24 more.