221 bars of 4/4 at 120 BPM, about 7:20 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, toms through bars 9-35, hi-hat through bars 36-43, snare through bars 44-51, hi-hat through bars 52-57 and toms through bars 58-66, and 14 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 58-64, 89-95 and 185-191, and 1 more place -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
58 59
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|--------------x-|
SD |----x-------x---|----x-------x-x-|
T2 |--------x-------|x-------x-------|
FT |x-------x-------|x-------x-------|
BD |xxxxxxxxxxxxxxxx|xxxxxxxxxxxxxxxx|18 fills to learn, played 40 times: bars 25, 26, 33, 35, 43, 51 and 34 more.
It cuts the song into 69 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
221 bars, about 7:20 at the written tempo. The course breaks it into 69 exercises over 21 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 40 times: bars 25, 26, 33, 35, 43, 51 and 34 more.