64 bars of 4/4 at a walking 95 BPM, 2:42 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3, 5 and 13, and 9 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 13 times: bars 17, 19, 21, 35, 37, 39 and 7 more.
2 more fills are written out on the fills page.
64 bars across 7 sections: 39 keep time, 13 are fills and 1 is a stop. The longest unbroken stretch of time is bars 6-11.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
64 bars, about 2:42 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 17, 19, 21, 35, 37, 39 and 7 more.