134 bars of 4/4 at 150 BPM, about 3:34 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-5, 7-9 and 11, and 11 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 17 times: bars 18, 30, 34, 38, 54, 66 and 11 more.
3 more fills are written out on the fills page.
134 bars across 13 sections: 78 keep time, 17 are fills, 22 are stops and 6 are silent. The longest unbroken stretch of time is bars 45-53.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
134 bars, about 3:34 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 18, 30, 34, 38, 54, 66 and 11 more.