123 bars of 4/4 at a walking 100 BPM, 4:55 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-28, 35-40 and 51-52, and 3 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 24 and 69.
123 bars across 19 sections: 90 keep time, 2 are fills, 2 are stops and 16 are silent. The longest unbroken stretch of time is bars 110-123.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
123 bars, about 4:55 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 24 and 69.