133 bars of 4/4 at 130 BPM, about 4:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-30, 32-36 and 54-57, and 14 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 20 times: bars 9, 13, 21, 25, 31, 37 and 14 more.
10 more fills are written out on the fills page.
133 bars across 9 sections: 86 keep time, 20 are fills and 18 are stops. The longest unbroken stretch of time is bars 70-83.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
133 bars, about 4:05 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 20 times: bars 9, 13, 21, 25, 31, 37 and 14 more.