121 bars of 4/4 at 150 BPM, about 3:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 9 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 35 times: bars 4, 8, 10, 12, 15, 16 and 29 more.
13 more fills are written out on the fills page.
121 bars across 14 sections: 54 keep time, 35 are fills, 18 are stops and 6 are silent. The longest unbroken stretch of time is bars 110-117.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
121 bars, about 3:15 at the written tempo. The course breaks it into 52 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 35 times: bars 4, 8, 10, 12, 15, 16 and 29 more.