121 bars at 175 BPM -- fast, and 2:45 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 51-58 -- 7.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 64 times: bars 1, 2, 3, 4, 7, 8 and 58 more.
8 more fills are written out on the fills page.
121 bars across 14 sections: 34 keep time, 64 are fills, 5 are stops and 15 are silent. The longest unbroken stretch of time is bars 51-58.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
121 bars, about 2:45 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 64 times: bars 1, 2, 3, 4, 7, 8 and 58 more.