170 bars of 6/4 -- not four -- at 280 BPM, 2:47 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-32, 34-36 and 38-40, and 10 more places -- 15.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 45 times: bars 10, 15, 16, 17, 37, 41 and 39 more.
12 more fills are written out on the fills page.
255 bars across 18 sections: 143 keep time, 45 are fills, 11 are stops and 35 are silent. The longest unbroken stretch of time is bars 18-36.
280 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 11 out of 100; the rest of the number is everything around it.
170 bars, about 2:47 at the written tempo. The course breaks it into 68 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 45 times: bars 10, 15, 16, 17, 37, 41 and 39 more.