130 bars of 4/4 at 150 BPM, about 3:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 39-54 -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 9 times: bars 20, 38, 55, 56, 60, 64 and 3 more.
4 more fills are written out on the fills page.
132 bars across 16 sections: 81 keep time, 9 are fills, 15 are stops and 14 are silent. The longest unbroken stretch of time is bars 40-54.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
130 bars, about 3:42 at the written tempo. The course breaks it into 57 exercises over 21 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 20, 38, 55, 56, 60, 64 and 3 more.