115 bars of 4/4 at a walking 105 BPM, 4:23 of playing, on crash, hi-hat, snare, high tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 28-35 and 51-58, and 4 more places -- 50.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3 fills to learn, played 12 times: bars 26, 27, 36, 49, 50, 59 and 6 more.
115 bars across 13 sections: 76 keep time, 12 are fills, 3 are stops and 16 are silent. The longest unbroken stretch of time is bars 18-25.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
115 bars, about 4:23 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 12 times: bars 26, 27, 36, 49, 50, 59 and 6 more.