242 bars of 4/4 at 120 BPM, about 7:11 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 68-70, 72-74 and 76-78, and 12 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 16 times: bars 22, 46, 47, 66, 67, 87 and 10 more.
3 more fills are written out on the fills page.
242 bars across 28 sections: 132 keep time, 18 are fills, 20 are stops and 61 are silent. The longest unbroken stretch of time is bars 69-86.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
242 bars, about 7:11 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 22, 46, 47, 66, 67, 87 and 10 more.