155 bars of 4/4 at 154 BPM, about 4:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-24, 43-44 and 47-53, and 5 more places -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 29 times: bars 14, 22, 26, 28, 32, 42 and 23 more.
10 more fills are written out on the fills page.
155 bars across 16 sections: 99 keep time, 29 are fills and 8 are stops. The longest unbroken stretch of time is bars 33-41.
154 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 39 out of 100; the rest of the number is everything around it.
155 bars, about 4:02 at the written tempo. The course breaks it into 57 exercises over 15 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 29 times: bars 14, 22, 26, 28, 32, 42 and 23 more.