57 bars, 3:15, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 6-12 and 23 -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 9 times: bars 38, 39, 40, 41, 51, 52 and 3 more.
57 bars across 8 sections: 30 keep time, 9 are fills, 1 is a stop and 10 are silent. The longest unbroken stretch of time is bars 6-24.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
73 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 44 out of 100; the rest of the number is everything around it.
57 bars, about 3:15 at the written tempo. The course breaks it into 22 exercises over 10 sittings, about 20 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 38, 39, 40, 41, 51, 52 and 3 more.