96 bars of 4/4 at a walking 97 BPM, 3:56 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-13, 34-37 and 88-95 -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 17, 29, 41, 55, 58, 76 and 4 more.
96 bars across 11 sections: 54 keep time, 10 are fills, 13 are stops and 13 are silent. The longest unbroken stretch of time is bars 70-75.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
96 bars, about 3:56 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 17, 29, 41, 55, 58, 76 and 4 more.