114 bars of 4/4 at 146 BPM, about 3:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 20, 22-24 and 36, and 11 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 21 times: bars 19, 25, 26, 31, 32, 33 and 15 more.
4 more fills are written out on the fills page.
114 bars across 11 sections: 64 keep time, 21 are fills, 2 are stops and 16 are silent. The longest unbroken stretch of time is bars 72-81.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
114 bars, about 3:05 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 21 times: bars 19, 25, 26, 31, 32, 33 and 15 more.