135 bars of 4/4 at 152 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 41-47, 49 and 51, and 11 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 22 times: bars 16, 24, 36, 37, 38, 39 and 16 more.
3 more fills are written out on the fills page.
135 bars across 10 sections: 90 keep time, 22 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 94-107.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
135 bars, about 3:33 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 16, 24, 36, 37, 38, 39 and 16 more.