25 bars of 4/4 at 120 BPM, about 0:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-18 and 20-21 -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 bars across 5 sections: 11 keep time, 9 are stops and 4 are silent. The longest unbroken stretch of time is bars 18-22.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 84 out of 100; the rest of the number is everything around it.
25 bars, about 0:57 at the written tempo. The course breaks it into 7 exercises over 3 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.