197 bars of 4/4 at 135 BPM, about 5:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 49-55, 57-63 and 97-103, and 3 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 28 times: bars 16, 32, 39, 40, 48, 56 and 22 more.
14 more fills are written out on the fills page.
197 bars across 22 sections: 99 keep time, 28 are fills, 34 are stops and 15 are silent. The longest unbroken stretch of time is bars 9-15.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
197 bars, about 5:50 at the written tempo. The course breaks it into 67 exercises over 18 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 28 times: bars 16, 32, 39, 40, 48, 56 and 22 more.