101 bars of 3/4 -- not four -- at 89 BPM, 3:26 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-12 and 41-47 -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 10 times: bars 2, 16, 20, 28, 32, 40 and 4 more.
4 more fills are written out on the fills page.
102 bars across 15 sections: 59 keep time, 10 are fills, 15 are stops and 4 are silent. The longest unbroken stretch of time is bars 42-50.
89 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
101 bars, about 3:26 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 2, 16, 20, 28, 32, 40 and 4 more.