130 bars of 4/4 at 150 BPM, about 3:26 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 12-13 and 22-24, and 16 more places -- 34.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 25 times: bars 5, 6, 7, 8, 16, 21 and 19 more.
10 more fills are written out on the fills page.
143 bars across 16 sections: 66 keep time, 25 are fills, 24 are stops and 17 are silent. The longest unbroken stretch of time is bars 97-104.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
130 bars, about 3:26 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 25 times: bars 5, 6, 7, 8, 16, 21 and 19 more.