495 bars of 4/4 at a walking 90 BPM, 25:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 94-108, 120-123 and 132-135, and 2 more places -- 9.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 4 times: bars 116, 143, 391 and 395.
495 bars across 50 sections: 303 keep time, 4 are fills, 1 is a stop and 113 are silent. The longest unbroken stretch of time is bars 270-298.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
495 bars, about 25:07 at the written tempo. The course breaks it into 134 exercises over 38 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 4 times: bars 116, 143, 391 and 395.