116 bars of 4/4 at a walking 102 BPM, 4:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 64-66, 68-70 and 72-74, and 1 more place -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 35 times: bars 1, 9, 15, 16, 17, 22 and 29 more.
13 more fills are written out on the fills page.
116 bars across 12 sections: 60 keep time, 35 are fills and 3 are stops. The longest unbroken stretch of time is bars 65-78.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 5 out of 100; the rest of the number is everything around it.
116 bars, about 4:33 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 35 times: bars 1, 9, 15, 16, 17, 22 and 29 more.