95 bars of 4/4 at 135 BPM, about 2:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-5, 11-13 and 27-30, and 5 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 8 times: bars 16, 17, 33, 42, 48, 52 and 2 more.
3 more fills are written out on the fills page.
95 bars across 8 sections: 75 keep time and 8 are fills. The longest unbroken stretch of time is bars 1-15.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
95 bars, about 2:48 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 16, 17, 33, 42, 48, 52 and 2 more.