145 bars of 4/4 at 135 BPM, about 4:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 33-39, 57-63 and 129-136 -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 15 times: bars 8, 12, 23, 24, 40, 47 and 9 more.
5 more fills are written out on the fills page.
145 bars across 17 sections: 94 keep time, 15 are fills, 9 are stops and 6 are silent. The longest unbroken stretch of time is bars 1-7.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 69 out of 100; the rest of the number is everything around it.
145 bars, about 4:18 at the written tempo. The course breaks it into 57 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 8, 12, 23, 24, 40, 47 and 9 more.