130 bars of 4/4 at a walking 95 BPM, 5:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 38-40, 42-44 and 46-48, and 16 more places -- 29% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 17 times: bars 9, 10, 18, 53, 55, 57 and 11 more.
4 more fills are written out on the fills page.
130 bars across 13 sections: 94 keep time, 17 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 22-37.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
130 bars, about 5:40 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 9, 10, 18, 53, 55, 57 and 11 more.