103 bars of 4/4 at 130 BPM, about 3:10 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-6, 17-23 and 33, and 8 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 5 times: bars 16, 34, 52, 70 and 103.
103 bars across 15 sections: 82 keep time, 5 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 77-93.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
103 bars, about 3:10 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 5 times: bars 16, 34, 52, 70 and 103.