194 bars, 11:21, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 141-152, 154-156 and 158, and 9 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 39 times: bars 43, 59, 63, 67, 71, 75 and 33 more.
18 more fills are written out on the fills page.
198 bars across 16 sections: 112 keep time, 39 are fills, 20 are stops and 11 are silent. The longest unbroken stretch of time is bars 1-19.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
194 bars, about 11:21 at the written tempo. The course breaks it into 73 exercises over 24 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 39 times: bars 43, 59, 63, 67, 71, 75 and 33 more.