106 bars at 170 BPM -- fast, and 2:29 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 57-63, and 4 more places -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 9 times: bars 20, 24, 32, 52, 56, 72 and 3 more.
106 bars across 11 sections: 76 keep time, 9 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 58-71.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
106 bars, about 2:29 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 9 times: bars 20, 24, 32, 52, 56, 72 and 3 more.