217 bars of 4/4 at a walking 100 BPM, 8:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-14, 33-44 and 55-66, and 3 more places -- 31.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18 fills to learn, played 30 times: bars 3, 9, 17, 24, 25, 27 and 24 more.
14 more fills are written out on the fills page.
217 bars across 20 sections: 149 keep time, 31 are fills, 14 are stops and 2 are silent. The longest unbroken stretch of time is bars 78-91.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
217 bars, about 8:39 at the written tempo. The course breaks it into 67 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 30 times: bars 3, 9, 17, 24, 25, 27 and 24 more.