150 bars of 4/4 at 135 BPM, about 4:20 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-21, 23-28 and 36-37, and 4 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 30 times: bars 9, 19, 22, 44, 51, 56 and 24 more.
13 more fills are written out on the fills page.
150 bars across 16 sections: 99 keep time, 30 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 118-126.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
91 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 62 out of 100; the rest of the number is everything around it.
150 bars, about 4:20 at the written tempo. The course breaks it into 64 exercises over 23 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 30 times: bars 9, 19, 22, 44, 51, 56 and 24 more.