106 bars of 4/4 at 120 BPM, about 3:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 15, and 3 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 17 times: bars 18, 22, 24, 25, 29, 34 and 11 more.
8 more fills are written out on the fills page.
106 bars across 14 sections: 61 keep time, 17 are fills, 7 are stops and 4 are silent. The longest unbroken stretch of time is bars 42-53.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
90 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 79 out of 100; the rest of the number is everything around it.
106 bars, about 3:12 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 17 times: bars 18, 22, 24, 25, 29, 34 and 11 more.