204 bars, 11:14, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 153, 157 and 161-162, and 1 more place -- 3.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 133 times: bars 12, 13, 14, 15, 16, 17 and 127 more.
10 more fills are written out on the fills page.
204 bars across 18 sections: 21 keep time, 134 are fills, 8 are stops and 32 are silent. The longest unbroken stretch of time is bars 145-149.
75 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
204 bars, about 11:14 at the written tempo. The course breaks it into 43 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 133 times: bars 12, 13, 14, 15, 16, 17 and 127 more.