71 bars of 4/4 at a walking 90 BPM, 3:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-16, 20 and 24 -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 17, 33, 34, 39, 40, 41 and 6 more.
3 more fills are written out on the fills page.
71 bars across 8 sections: 37 keep time, 12 are fills, 11 are stops and 5 are silent. The longest unbroken stretch of time is bars 5-16.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
71 bars, about 3:05 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 17, 33, 34, 39, 40, 41 and 6 more.