75 bars of 4/4 at 110 BPM, about 2:44 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 15-17, 19-21 and 23-25, and 4 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 11, 12, 13, 14, 22, 26 and 6 more.
3 more fills are written out on the fills page.
75 bars across 10 sections: 45 keep time, 12 are fills and 4 are silent. The longest unbroken stretch of time is bars 3-10.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
75 bars, about 2:44 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 11, 12, 13, 14, 22, 26 and 6 more.